Tuesday, May 5, 2020

Joe Smith Essay Example For Students

Joe Smith Essay Ms. JohnsonPeriod 422 May 2000Suicide Lurks Over the HorizonMany people say that Ernest Hemingways stature within the view of the public has only increased since his death, proving that his work has endured the test of time. In many minds of Americans who are familiar with Hemingway, he was a man of contrast and contradictions. Simply put, Americans have this theory of Hemingway because he stood for rugged individualism through his manly, brutish nature yet he committed suicide. However, in all honesty this notion is false. At first, agreeance with the majority was easy because it seemed logical but after reanalyzing Hemingways works, its definitive that Hemingway conversed with the world through his characters. Hemingway was trapped within the image he created for himself. He talked through his writing but he wasnt being heard nor understood. The foreshadowing of Hemingways suicide was submerged throughout his writing but nobody could dive so deep in order to hear what he was saying until it was too late. Hemingway is clearly thought to be a higher and more prominent figure proceeding his death than he was as a tangible, animated person on Earth. During his prime years Hemingway created a mythic persona yet certain stature for himself (Nagel 1). He defined manliness but not solely through what he wrote, what he said, and what he expressed, but also through what he did: fishing for elusive gamefish from trout to tarpon and marlin, hunting to life threatening extremes for highly prized game, watching bullfights with a discerning eye, being a womens man, dominating his nemeses, and pursuing all wars for the benefit of his nation (Valiunas 77). However, this claim to fame personality of Hemingway is what drove him six feet under. He built up such a recollected and admirable prestige to himself that there was no backing down. Without the man who wanted to feel every thrilling sensation he could, the writer who sought immortality would have been utterly a loss (77). Basically, he was a fake , a phony, a false identity. Hemingway trapped himself into an unwanted status amongst the public through the means of the media. Its as if Hemingway was grabbed and thrown into an air tight cell where there was no way out butthrough the taking of his own life. Within just seven years of earning one of the most well known and prestigious awards within the field of literature, Hemingway took his own life (Gerard 254). He was portrayed as a man who desired immortality but later realized that he must go head to head, or gun to head is a better description, with the lack of eternity each day (254). It was a suicide interpreted as the culmination of his belief in taking responsibility for his own life, even the termination of it (Nagel 1). Hemingway suffered from severe depression and physical decline. His memory was depleted through electric shock therapy that he endured after hospitalization in the Mayo Clinic. On July 2, 1961, at the age of sixty two, Hemingway took his favorite shotgun, put the barrel of the gun to his head, and proceeded to pull the trigger (Gerard 254). From that dreary day in history to present day, Hemingway has grown in the eyes and minds of people across the world. Hemingways life certified the value of his art. But his art also proved the value of his life (Valiunas 77). His simplistic and precise writing style, pathway to literature freedom, and hard core devotion to the humanities has left a permanent incision on the world of literature. In his works, Hemingway was immensely influential because of the aspects of modern life that he wrote about. Hemingways reputation and influence will forever rest on an uneasy blending of the myth of his personal adventures with the artistic merit of his best fiction (Nagel 2). Many of his novels and short stories depict a universe that is engulfed of insensitivity, violence, and corruption. His main characters are all scarred both physically and psychologically by trying to find guidance within their lives (1). This is one of the main reasons that Hemingways devotion to literature is still a ppreciated as some of the best literary work ever produced. Almost any person alive can relate and cope with at least one of Hemingways characters predicaments and struggles that they face. Its the parallelism of the readers life to the characters life that leaves people intrigued by Hemingways writing. However, its not just the correlation between the reader and the protagonist that makes Hemingway so famous. Its also the vivid reality in which Hemingway writes. He can write in such a dramatic, perceptive form because he has lived through or was living through exactly what he was writing about. The life of Hemingway was translated through his writing. It may not have been clearly, directly, or simply put even though this was the wayHemingway wrote, but it was buried beneath his words. To really hear Hemingway its as if it were one of those annoying 3-D posters that you cant see until you make a concerted effort not to try to see, its simple once you know what not to look for (Kwan 1). Hemingway is recognized as the icon of the theme of rugged individualism amongst his readers. In combination with his suicide and the themes he wrote and pursued, Hemingway has been branded a contradiction with the majority of people who are educated about him. His fans were not aware of his clashing mentality until he took his own life. People are said to either love Hemingway or hate him. The latter think he is a pompous bullying braggart who made up tall stories to inflate his own reputation, whose writing is a mannered, chest-thumping parody of itself (Gerard 254). During his life Hemingway was a connoisseur of celebrity and drooled for immortality but throughout his career he ran away from broadcasters, refused to do interviews, and gave the cold shoulder to biographers. He flew to far away places where he desired a private life without all of the hype from the media (254). Effectiveness of Communication Arts EssayHemingways most literal scream for help before suicide was buried amongst The Old Man and the Sea, the last novel he wrote before his suicide. Within this novel there is a lot of symbolism that can be taken as a foreshadowing to his planned death. In general, the entire struggle of Santiago with the giant blue marlin resembles Hemingways struggle with life and his depression. Santiago is also portrayed as a loner who fishes far away from the fleet that has been catching marlin consistently. This is also shown to go along with Hemingways nature because he wished to live in private, he wasnt a peoples person. In the novel, it states, the hundred-fathom line suddenly dips sharply (Hemingway 28). This is in reference to Hemingways life. What once was full of glamor, he realized was the opposite, and his health turned against him. During Santiagos fight with the marlin a small bird lands on his line that is tired and needs a rest but shortly afte r the birds landing the marlin surged and forced the bird to keep flying (54-5). This bird also resembled Hemingway. Hemingway needed a break, he needed an escape route from the world hewas trapped in. However, no one read into his life and works deep enough to realize thisand so he was made to keep his act up whether he liked it or not. As the marlin surges, Santiago is cut from the line (56). Hemingway is trying to say that he is scarred for life from what he and his readers have drove him into. Santiago says ten Hail Marys and Ten Our Fathers in efforts to help land the fish even though he claims not to be religious. This shows that Hemingway is an act (64-5). An act that he is too inundated with that he cant get out, so he fakes to be something that he really isnt just like Santiago faked to be religious. Once Santiago is able to bring the fish boat side, he plunges the harpoon into the fishs heart. The fish makes its death leap, and it is all over. Blood colors the water (94-5) . The harpoon resembles the shotgun that Hemingway committed suicide with. With on quick plunge, one quick pull, it was over, Hemingway took his life with his own hands. Later in the novel, two tourists mistake the giant carcass of the marlin for a shark (126-7). This wrapped up and clearly proved Hemingways use of foreshadowing. He is saying that people are misunderstanding him completely. They all think he is a rugged individualist who could never need a lending hand but they are all wrong. Hemingway is slowly deteriorating both mentally and physically because of the predicament he brought upon himself that he cant get out of because of the public. He is asking for help in The Old Man and the Sea but since no one can hear him he feels forced to commit suicide just like he felt forced to maintain his image. In conclusion, Hemingway is neither the man nor the image that most people make him out to be. He was a man who fell into a ditch and couldnt climb out. In other words, he built up an image that wasnt himself to the point of no return. He cried like a baby whose bottle had just been taken away. This cry was beneath his pages of words. If he simply cried to the public his image would have been chewed up and spit out by his readers so Hemingway had his characters do the crying for him. However, no one heard nor understood Hemingway because his writing was so simple and direct that no one would possibly ponder the thought that he wasnt actually saying what he was writing. In the end though, all of the physical and emotional stresses that his characters endured were simply what he was enduring. With a feeling of entrapment, Hemingway ended his life of hell on Earth for a life of hell down under. BibliographyWorks CitedBrenner, Gerry. Doomed Biologically: Sex and Entrapment in Ernest Hemingways ?Cross-Country Snow. Hemingway Review Fall 1999. Gerard, Philip. Facing Eternity Alone. World I Nov 1999: pg 254. Hemingway, Ernest. The Old Man and the Sea. New York: Simon Schuster, 1952. Hemingway, Ernest. The Sun Also Rises. New York: Scribners, 1926. Kwan, Albert. The Sun Also Rises and On the Road. 1998. March 2000.. Nagel, James. Ernest Hemingway: A Centennial Assessment. 1999, University of Georgia. March 2000.. Valiunas, Algis. A Sport and a Pastime. The American Spectator Nov 1999: pg 77.

No comments:

Post a Comment

Note: Only a member of this blog may post a comment.